By Lane Turney
Hollywood and cinema itself is, in a lot of ways, still in its infancy. In modernity, we are just now entering into a generation that has no connection, relatives or otherwise, to the advent of the film industry. They have no concept of how film has reflected society’s maturation since the beginning of the monumental twentieth century. The charting of American history during this great century coincides with our innovative ability to capture ourselves on celluloid, or at least an approximation thereof. Some of America’s most treasured character actors have provided the lifeblood of these approximations of our very lives and shifting values.
"The Mission" is everything a movie should be -- magnificently produced, epic in scope, serious in theme -- everything, that is, but good.
Worth seeing the last half hour, if nothing else, for one of the best stunt sequences in years: McQueen's motor-cycle bid for freedom.
Leone's liberal use of widescreen shots in conjunction with extreme close-ups gives the movie an epic quality that is matched in scope by a skeletal narrative structure that breathes with a poker-faced mood, tone, and personality.
A film of pure sensation, dazzling audiences with light and noise, laying bare the stark horror - and unimaginable thrill - of combat.
Took me 2 days to watch it all after recently buying, still stands test of time for me, the main reason Robert Powell's performance. Even last temptations William Defoe & the Jesus in the passion can't beat Powell's mesmerising portrayal. A flawless performance whilst up against some of the greats along side him.
A bloodthirsty alien, devoid of remorse or conscience, kills off crew members of a deep-space mining ship. But Ripley conveys the strong message to never give up and to do everything you can to try to save your friends and co-workers.
"Far and Away" has all the markings of an epic, even a race -- with covered wagons -- but its land-grab scene with horses and wagons toppling over one another is unintentionally hilarious.
The Grapes of Wrath is, in fact, the greatest master- piece the screen has ever produced; in it John Ford has established in vivid and inescapable terms the knowledge of good and evil. Powerful look at the Depression and the poor.